A series · first panels on the easel
Dark on dark: the panels where the eye keeps going and does not touch bottom.
The mystery series. The palette narrows until only depth is left; matte and gloss do the work color usually does, and the resin flood is total, so the panel holds the room's light like deep water.
The palette
Darks layered on darks: ink, deep pine, petrol, and violet-black, separated by sheen rather than hue.
The first panels are on the easel. The discipline is set; the work is arriving.